Camera Work:
The main camera shot inside of the opening
sequence for Panic Room is an establishing shot which is at eye-level and zooms
in. This the progressions to a mid-shot of another piece of the city perhaps a
totally distinctive city through and through. This is then repeated 18 times
each with the on-screen characters and performing artists names, film title and
credits on the structures/building design. The greater part of these mid-shots
are at eye-level be that as it may, some change to a high edge shot and low
edge shots. The camera is likewise, utilizing the 180° rule and is zooming in
then out and panning left then right.
Sound:
The sound inside of the opening scene for Panic
Room is non-diegetic sound, a soundtrack/bit of music that has been altered over
the camera shots amid the altering procedure. The music is extremely
sensational, which could surmise that the film will be entirely dramatic . The
music starts moderate paced yet is a consistent emotional piece from start to
finish and towards the end of the opening grouping the music's pace starts to
fasten . The musical sound likewise, gradually gets louder on every shot. The
soundtrack is exceptionally dull which suggests that the plot of the film could
be dark and risky.
Editing:
The editing inside of the opening grouping for
Panic Room comprises basically cuts. We can clearly see where cuts have
been made during filming and that these cuts have been dragged together
through-out make the shots look as though they have been recorded in a steady
progression when they were most likely film completely because of timing or
area. The credits are appeared on structures in an exceptionally clear manner ,
as large lines, the content blend together with the structures without looking
unnatural or mutilated.
Mise-En-Scene:
During the opening for Panic there are no
visual props that are used as a large portion of the shots during the opening
scene are of structures inside New York City. The vast majority of the
structures inside of this grouping are of diverse shapes and sizes . The
majority building structures inside of the scene have an exciting suspicion to
them whilst the music's pace starts to speed up. We do see autos, trucks and
bikes in four of the shots inside of the scene as they demonstrate the street.
The lighting inside of the opening scene changes with every shot of structures
as the camera angles explore different aspects of light. For instance, when the
camera is at a low-point the lighting is darker than it is the point at which
the camera is at a high-edge.