One director known for psychological thrillers is
Christopher Nolan. Directing films such as Inception, Insomnia and Memento,
Nolan is known to often focus on the themes of personal identity, memory and
the construction of time, as well as exploring morality, and philosophical, sociological
and existential concepts. His use of metafiction, a term that links to the
relationship between fiction and reality, allows him to emphasise the
psychological aspect of the film, so that it affects the audience as much as he
proposes to. Auteur theory states that the director and his or her style
influences the film as if he or she were the author. He shows this through his
use of nonlinear storytelling. Putting a film in non-chronological order can
change a film’s response from the audience considerably because it can change
the significance of particular events as they can be arranged much closer
together or further apart, for example. His protagonists are also known to be
psychologically damaged, such as Dom Cobb in Inception, due to the suicide of
his wife, which can reflect how particular events or objects can affect people.
His use of mise-en-abyme in the film Inception is one of the
most well known in the modern era of film. In film, mise-en-abyme describes the
idea of “a dream within a dream”. This emphasises the psychological aspect of
psychological thrillers as it leaves the audience with a dark feeling that
everything around them may not be real. Other ideas that Nolan uses that can
affect the audience is leaving the protagonist’s fate ambiguous, meaning the absence
of a happy ending, and unreliable narrators and switching points of view, so
the audience doesn’t know fully who to sympathise or empathise with.
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